• Performance

Afiaf left - Afiaf right

Performance by Léuli Eshrāghi

A large piece of crinkled gold foil and some white tags are laid out on a grassy lawn.
A person walks across stepping stones in a shallow stream wearing traditional attire.
A person in golden wrapping walks through shallow water in a park.
A person dressed in golden fabric stands in a stream with onlookers on a bridge.
A person in traditional clothing walks through shallow water while others watch from a bridge.
A man in a golden foil garment holding papers stands near a stream.
A person in a reflective outfit and headpiece recites from a paper in a park by the water.
A person standing in shallow water dressed in shiny gold foil attire.

Dates

  • Fr 06.10., 17:00–18:00

Artists

  • Léuli Eshrāghi

Language

  • English

As a co-commission by Staatliche Kunsthalle Baden Baden, Museum of Contemporary Art, Tallawoladah/Sydney, the Plimsoll Gallery, University of Tasmania, nipaluna/Hobart, and Aupuni Space, Honolulu, Léuli Eshrāghi presents their new dual channel video work, afiafi. As the fourth work in Eshrāghi’s ongoing series Siapo viliata o le atumotu (2020–), afiafi is titled by the Samoan word which means day, afternoon, evening, and fire in Sāmoan, symbolizing life cycles, pleasure, and renewal.

Social interactions with queer Indigenous kin are central to the work. The double channel video narrates Eshrāghi and their collaborators in ceremonial settings with blessings, celebrations, and other connections with their roots and as a real-time activation, it regenerates various rituals of Indigenous storytelling with present pictures.